The courtroom drama Jolly LLB 3 has opened with plenty of buzz, bringing Akshay Kumar and Arshad Warsi face to face in the same frame. Backed by a production budget of nearly ₹80 crore, the film is one of the most expensive in the franchise so far. On its opening day itself, it managed to collect around ₹13.75 crore at the box office a strong start considering the competition in theatres. These numbers have set the tone for what could become one of the most profitable entries in the series, provided the film maintains steady collections over the first week. With such figures driving the conversation, Jolly LLB 3 is not just about witty dialogues and courtroom battles, but also about whether it can deliver a winning verdict at the box office.
Jolly LLB 3 2025 Overview

Detail | Information |
---|---|
Title | Jolly LLB 3 |
Directed by | Subhash Kapoor |
Written by | Subhash Kapoor |
Produced by | Akshay Kumar, Dimple Kharbanda, Ajit Andhare, Alok Jain |
Actor | Akshay Kumar, Arshad Warsi |
Actress | Huma Qureshi, Amrita Rao |
Other Cast | Saurabh Shukla, Annu Kapoor, Gajraj Rao |
Cinematography | Rangarajan Ramabadran |
Edited by | Chandrashekhar Prajapati |
Music by | Vikram Montrose, Anurag Saikia, Aman Pant |
Production Companies | Cape of Good Films, Viacom18 Studios, Kangra Talkies |
Distributed by | Viacom18 Studios |
Release Date | September 19, 2025 |
Running Time | 2h 37m |
Country | India |
Language | Hindi |
Genre | Black Comedy, Drama, Legal |
Censor Rating | UA16+ |
Daily Box Office Collection
Day | Date | India Gross (crore) | Fluctuation (%+/-) |
---|---|---|---|
Day 1 | Sep 19, 2025 | ₹14.75 | (Opening Day) |
Day 2 | Sep 20, 2025 | ₹23 | +56% |
Day 3 | Sep 21, 2025 | ₹24.78 | +7.73% |
Day 4 | Sep 22, 2025 | ₹6.49 | -73.81% |
Day 5 | Sep 23, 2025 | ₹7.38 | +13.71% |
Day 6 | Sep 24, 2025 | ₹5.31 | -28.05% |
Day 7 | Sep 25, 2025 | ₹4.43 | -16.57% |
Day 8 | Sep 26, 2025 | ₹4.43 | 0% |
Day 9 | Sep 27, 2025 | ₹7.97 | +79.91% |
Day 10 | Sep 28, 2025 | ₹7.67 | -3.76% |
Day 11 | Sep 29, 2025 | ₹3.25 | -57.63% |
Day 12 | Sep 30, 2025 | ₹4.43 | +36.31% |
Day 13 | Oct 01, 2025 | ₹4.31 | -2.71% |
Day 14 | Oct 02, 2025 | ₹2.77 | -35.73% |
Lifetime India Net | – | ₹102.5 | – |
Lifetime India Gross | – | ₹122.5 | – |
Lifetime Worldwide Gross | – | ₹145.5 | – |
Jolly LLB 3 is a Hit or Flop
Verdict: Hit
What is the budget of Jolly LLB 3
Budget: ₹120 crore
Jolly LLB 3 OTT release date
Netflix
Our Review of Jolly LLB 3
Jolly LLB 3 looks like a total laugh riot! Akshay Kumar as Jolly Mishra and Arshad Warsi as Jolly Tyagi are back in court, throwing razor sharp banter and pulling crazy legal stunts. Saurabh Shukla as Judge Tripathi is the cherry on top. Subhash Kapoor’s direction keeps the vibe fun yet sharp, and the trailer’s got that perfect mix of humor and drama. But the story might feel a bit familiar, and it’s got a tough clash with other releases. If you loved the earlier Jolly films, this one’s gonna be a blast.
What Worked
- Akshay Kumar and Arshad Warsi’s epic face off their chemistry is fire.
- Saurabh Shukla’s hilarious judge role, stealing scenes like always.
- Viral song “Bhai Vakeel Hai” and witty trailer, building massive hype.
What Didn’t Work
- Potential clash with Anurag Kashyap vs. Akshay Kumar releases on September 19 could split audiences.
- Some X posts worry the plot might repeat old courtroom drama tropes.
- Legal controversy over “insulting the system” could stir backlash, like Jolly LLB 2.
Frequently Asked Questions
It’s a courtroom comedy where Jolly Mishra (Akshay Kumar) and Jolly Tyagi (Arshad Warsi) face off in a hilarious legal battle, packed with drama and heart.
September 19, 2025, in theaters across India.
Subhash Kapoor, who helmed the first two Jolly LLB films.
Around ₹50 crore, based on industry reports.
Akshay Kumar, Arshad Warsi, Huma Qureshi, Amrita Rao, and Saurabh Shukla.
OTT plans are yet to be confirmed look out for post theatrical announcements.
It was postponed to avoid a clash with Sunny Deol’s Jaat, ensuring a clearer run.
Disclaimer:
The box office figures shared in this article are independently compiled and estimated through our in‑house tracking system, which analyses theatre occupancy trends, distributor inputs, and regional trade signals. These numbers reflect the most accurate industry insights available at the time of publishing. While minor variances may occur compared to final official tallies, the data presented here is considered a reliable representation of the film’s commercial performance.
References:
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