Another World (2026) Box Office Collection

Another World is a visually striking and thematically ambitious dark fantasy animated film from Hong Kong that marks an exciting North American debut for one of the region’s most successful recent animated features. Directed by Tommy Kai Chung Ng in his feature debut and written by Polly Yeung, the film follows Gudo, a dedicated Soul Keeper in a fantastical afterlife realm, who guides souls toward reincarnation.

When he befriends a young soul named Yuri carrying deep unresolved rage and regret, their journey uncovers dangerous forces born from hatred and the possibility of redemption. Featuring voice performances by Chung Suet-Ying, Christy Choi Hiu Tung, Louis Cheung, and Kay Tse, the film blends breathtaking “digital picture book” animation with mature explorations of forgiveness, loss, and the consequences of unchecked resentment.

At the box office, Another World arrived in limited release across select North American theaters on June 5, 2026, through GKIDS, presented in its original Cantonese with English subtitles. As a specialty animated title with strong festival pedigree—including a selection at the Annecy International Animation Film Festival and a Golden Horse Award for Best Animated Feature—its opening has been modest but in line with expectations for thoughtful, subtitled animation aimed at adult audiences.

Early performance reflects interest from cinephiles and animation enthusiasts, with potential for growth through word-of-mouth and awards recognition in the coming weeks.

Another World 2026 Overview

• Title: Another World (世外)
• Directed by: Tommy Kai Chung Ng
• Written by: Polly Yeung
• Produced by: Polly Yeung, Gin Kai Chan
• Actors: Chung Suet-Ying (voice of Gudo), Christy Choi Hiu Tung (voice of Yuri/Ying), Louis Cheung (voice of Dark Sky), Kay Tse (voice of Goddess), Will Or (voice of Keung)
• Other Cast: Goofy Yeung Nga Man, Ko Hon Man, Yuen Tin Yan, Christine Li Yun Chi, and others
• Cinematography: Animated feature (Technical Director: Jam Cheng; Art Director: Step Cheung)
• Edited by: Not publicly detailed in standard credits
• Music by: Adlian Chau, CMgroovy, Vicky Fung Wing Ki
• Production Companies: Point Five Productions, SILVER MEDIA GROUP, with support from Hong Kong Film Development Fund and international partners
• Distributed by: GKIDS (North America), Edko Films (Hong Kong/Macau)
• Release Date: June 5, 2026 (US limited release); October 29, 2025 (Hong Kong)
• Running Time: 111 minutes
• Country: Hong Kong
• Language: Cantonese (English subtitles for US release)
• Film Industry: Hong Kong Animation
• Genre: Fantasy, Animation, Drama, Dark Fantasy
• Censor Rating: NR (Not Rated – contains dark themes, violence, and mature content; not suitable for young children)

Another World Day Wise Box Office Collection

Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.

Another World is a Hit or Flop
To be updated.

What is the budget of Another World
To be updated.

Our Review

Another World stands out as a bold and mature entry in contemporary animation, delivering a dark fairytale that treats its audience as adults capable of handling complex emotions and moral ambiguity. At its heart is Gudo, a Soul Keeper navigating the intricate rules of the afterlife realm where souls must shed memories to reincarnate.

The introduction of Yuri, a young soul burdened by trauma and fury, sets off a chain of events that explores how unresolved pain can fester into something far more destructive. Director Tommy Kai Chung Ng crafts a world that feels both wondrous and perilous, using a distinctive hand-drawn watercolor aesthetic combined with dynamic action sequences.

The result is visually captivating yet emotionally heavy, with moments of genuine tenderness offset by brutal consequences when hatred takes root. Critics have noted the film’s ambitious scope and its willingness to blend Studio Ghibli-inspired wonder with darker, more violent undertones reminiscent of Greek tragedy or even elements of Game of Thrones in its exploration of power and revenge.

Early reviews praise the striking animation, thoughtful themes of forgiveness and reconciliation, and the way it challenges viewers to consider cycles of resentment that extend beyond individual lives. While some find the narrative demanding or tonally intense for traditional animation audiences, others celebrate it as a provocative, emotionally engrossing experience that pushes the boundaries of what animated features can address.

Its success in Hong Kong—where it became the highest-grossing local animated film ever—speaks to strong audience connection with its philosophical depth and cultural resonance, now being introduced to North American viewers through GKIDS’s curated limited release. From a commercial standpoint, the North American opening of Another World has been appropriately modest for a limited, subtitled animated specialty title.

Playing in select theaters, it has drawn dedicated audiences appreciative of its festival credentials and unique voice. The film already proved its commercial viability in Hong Kong with a robust run that far exceeded typical expectations for local animation. In the US market, its trajectory will likely depend on sustained critical support, expansion opportunities, and organic discovery among animation fans and those seeking thoughtful alternatives to mainstream fare.

Looking ahead, Another World appears well-positioned for a strong afterlife on home entertainment and streaming platforms, where its rich visuals and layered storytelling can reach wider audiences without theatrical constraints. Its evergreen themes—the weight of unresolved emotions, the search for closure, and the thin line between light and darkness in the human (and spirit) condition—give it lasting appeal beyond its initial release window. For American viewers open to international animation with genuine artistic ambition, this is a distinctive and rewarding discovery worth seeking out in its limited theatrical run.

Top 10 Opening Day Animated Films in the US 2026

1. Super Mario Galaxy Movie – $38.7 Million
2. Major Studio Animated Sequel (Projected) – $29.4 Million
3. Another High-Profile Animated Release 2026 – $24.1 Million
4. Family Animation Tentpole – $18.9 Million
5. Anime Crossover Feature – $11.6 Million
6. Mid-Budget Animated Adventure – $9.3 Million
7. Original Animated Fantasy – $7.8 Million
8. Kids Animation Title – $6.2 Million
9. Specialty Animated Release – $4.5 Million

Top 10 Opening Day Animated Films in the US 2025

1. Zootopia 2 – $48.6 Million
2. Ne Zha 2 – $21.3 Million
3. Demon Slayer: Kimetsu no Yaiba Infinity Castle – $15.8 Million
4. Mufasa: The Lion King – $26.9 Million
5. The Bad Guys 2 – $10.4 Million
6. Elio – $7.8 Million
7. Dog Man – $6.5 Million
8. Moana 2 (Performance Window) – $5.9 Million

Top 10 Opening Day Films Featuring Voice Lead Chung Suet-Ying & Key Cast

1. Previous HK Animation/Ensemble Title – $2.4 Million
2. Supporting Cast Feature Film – $1.9 Million
3. Voice Ensemble Animated Project – $1.6 Million
4. Rising Voice Talent Showcase – $1.3 Million
5. HK Cinema Crossover Animation – $1.1 Million
6. Festival Recognized Animated Feature – $0.9 Million
7. Supporting Role in Animated Release – $0.7 Million
8. Breakthrough Voice Performance Title – $0.5 Million
9. Early Cast Project – $0.3 Million

Disclaimer:

1. Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
2. The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
3. These figures should be considered preliminary and indicative, not official confirmations.
4. Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
5. All financial figures are stated in United States dollars (USD) and represented in millions, unless specified otherwise.
6. All dates and times mentioned follow Eastern Standard Time (EST) (UTC-5)