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My Name Is KD Movie Collection and Budget

My Name Is KD is a Kannada movie, released on 15 May 2026 starring Bhavani M A, Venkatesh D, K N Srinivash, Girish Jatti, Apoorva Shri, Nagraj Urs, Shivakumar Suprith, Yethiraj K and other main cast. The film made its theatrical debut with an extremely limited opening at the Indian box office on Friday, 15 May 2026. As a drama film, it entered theatres with minimal pre-release buzz and highly restricted screenings primarily in Karnataka.

Verified tracking data from Sacnilk, Tenvow, BookMyShow occupancy reports, and live ticket booking platforms confirms the movie collected a net of ₹0.02 crore, translating to an India gross of ₹0.02 crore on day one. This subdued start reflected exceptionally low theatre occupancy (under 5-7 per cent across limited shows) and negligible ticket bookings, underscoring the challenges faced by small-scale independent Kannada dramas without extensive marketing or star-driven pull.

Worldwide collections remained almost entirely India-driven, registering virtually no overseas contribution on opening day. As opening day progressed into evening and night shows, the movie experienced negligible growth amid subdued audience turnout, with collections remaining in the minimal range. The performance reflects the difficulties encountered by low-budget concept-driven releases that depend on strong organic interest in a highly competitive market, where limited promotion resulted in near-empty theatres and very low ticket bookings throughout Day 1.

My Name Is KD 2026 Overview

My Name Is KD box office collection
My Name Is KD box office collection
DetailInformation
TitleMy Name Is KD
Directed byK. J. Chikku
Written byK. J. Chikku
Produced byTo be updated
ActorVenkatesh D
ActressBhavani M A
Other CastK N Srinivash, Girish Jatti, Apoorva Shri, Nagraj Urs, Shivakumar Suprith, Yethiraj K and more
CinematographyTo be updated
Edited byTo be updated
Music byTo be updated
Production CompaniesTo be updated
Distributed byTo be updated
Release Date15 May 2026
Running Time2h 35m
CountryIndia
LanguageKannada
Film IndustrySandalwood
GenreDrama
Censor RatingUA16+

My Name Is KD Box Office Collection

DayDateIndia Gross (crore)Fluctuation (%+/-)
Day 115 May 2026₹0.03(Opening Day)
Day 216 May 2026₹0.02-33%
Total India Net–₹0.04 crore–
Total India Gross–₹0.05 crore–
Total Worldwide Gross–₹0.05 crore–

Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.

My Name Is KD is a Hit or Flop
To be updated

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What is the budget of My Name Is KD
The estimated budget of around ₹3–4 crore.

Our Review

My Name Is KD stands as a sincere and grounded drama that explores personal identity, relationships, and everyday struggles in contemporary Kannada cinema. The story follows a young man navigating life’s challenges, self-discovery, and emotional connections in a relatable manner. Bhavani M A and Venkatesh D deliver natural and heartfelt performances that anchor the film with authenticity and depth, while K N Srinivash, Girish Jatti, Apoorva Shri, Nagraj Urs, Shivakumar Suprith, and Yethiraj K add layers of realism to the ensemble.

The film excels in its realistic dialogues, subtle emotional moments, and genuine cultural flavour that make the narrative feel personal and engaging. Though the modest production scale is evident in certain technical areas, the focused direction and committed acting create an immersive experience that resonates strongly with audiences seeking meaningful, rooted storytelling. In terms of execution, My Name Is KD intelligently draws parallels with earlier Kannada dramas that celebrate everyday life and human emotions, while maintaining a grounded, introspective tone that feels distinctly regional.

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Unlike big-budget spectacles that dominate the 2026 release calendar with high production values and pan-India appeal, this independent venture prioritises authentic dialogues, relatable character arcs, and a sincere portrayal of middle-class aspirations, resulting in a genuine examination of identity and personal growth. The cinematography effectively captures everyday Karnataka settings to heighten the sense of intimacy, and the screenplay maintains engagement through moments of warmth and quiet reflection that keep viewers invested.

As a low-budget effort from emerging talent, it carves a meaningful niche in Sandalwood, proving that strong concepts and committed performances can still deliver impactful cinema even with constrained resources. Minor limitations in scale do not overshadow its core strengths, positioning the film for greater appreciation among family audiences on repeat viewings or digital platforms. Box-office performance to date (till Day 1, 15 May 2026) has been markedly subdued, with total India gross collections reaching only ₹0.02 crore amid limited screenings and near-empty theatre occupancy.

This outcome reflects the highly competitive theatrical market for small-scale Kannada dramas lacking extensive promotion or prominent star power, even as early audience feedback highlights its engaging premise, solid acting, and relatable themes. Looking ahead, My Name Is KD is unlikely to achieve significant theatrical gains but holds reasonable prospects for a meaningful digital revival, where its thoughtful narrative and family-friendly content can connect more effectively with viewers on streaming platforms seeking quality regional entertainment.

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The project serves as an encouraging example of emerging talent in Kannada cinema, demonstrating that sincere, character-focused stories continue to secure a foothold amid larger commercial offerings. For audiences drawn to wholesome dramas with emotional undercurrents, relatable struggles, and no unnecessary frills, the film delivers a compact yet memorable experience through its inventive premise and committed performances that linger well beyond the credits.

Top 15 Opening Day Movies of Sandalwood 2025

  1. Kantara: Chapter 1 – ₹45–50 crore
  2. Mark – ₹6.25 crore
  3. 45 – ₹4.39 crore
  4. Su From So – ₹2.80 crore*
  5. Ekka – ₹1.60 crore
  6. Yuva – ₹1.45 crore*
  7. Vaamana – ₹1.20 crore*
  8. Fire Fly – ₹1.10 crore*
  9. Interval – ₹0.95 crore*
  10. Forest – ₹0.85 crore*
  11. Ayyana Mane – ₹0.72 crore*
  12. Royal – ₹0.65 crore*
  13. Maryade Prashne – ₹0.55 crore*
  14. Mithya – ₹0.42 crore

Disclaimer:

  1. Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
  2. The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
  3. These figures should be considered preliminary and indicative, not official confirmations.
  4. Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
  5. All financial figures are stated in Indian Rupees (INR) and represented in crores, unless specified otherwise.
  6. All dates and times mentioned follow Indian Standard Time (IST) (UTC +5:30).

Reference:

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By Rebecca Vaiphei

Rebecca is a box office reporter and film analyst at Tenvow.com, where she covers daily box office collections, weekend reports, and OTT performance trends across Indian cinema. A lifelong movie lover with a passion for Bollywood, Tollywood, Kollywood, Mollywood, and Ollywood, she brings data driven insights and honest analysis to every story. If it’s making noise at the box office, Rebecca is tracking it.