Primetime Budget: The production budget has not been officially confirmed by the makers.
Primetime Verdict: Pending
The verdict will depend on the film's final theatrical performance and reported budget. Once sufficient data is available, this section will be updated. No verdict is assigned yet.
Primetime Box Office Collection: Day Wise
Released
Primetime day-wise box office collection
Day
Domestic
Details
Day 1
$8.49M
Date
Fri, 25 Sep 2026
Change
Opening day
Theatres
2,874
Shows
12,933
Tickets
679,567
Occupancy
29.2%
Day 2
$6.12M
Date
Sat, 26 Sep 2026
Change
-28.00%
Theatres
2,874
Shows
12,933
Tickets
489,288
Occupancy
21.0%
Day 3
$4.59M
Date
Sun, 27 Sep 2026
Change
-25.00%
Theatres
2,874
Shows
12,933
Tickets
366,966
Occupancy
15.8%
Box Office Trend
US Domestic · US $ (M)
Weekly Collection
Weekly Collection
Period
Date Range
Domestic
WEEK 1
25 Sep 2026 – 27 Sep 2026 · Day 1–3
$19.20M
Weekend Collection
Weekend Collection
Period
Date Range
Domestic
WEEKEND 1
Fri, 25 Sep 2026 – Sun, 27 Sep 2026
$19.20M
Primetime Streaming
Primetime’s streaming details are not out yet. Tenvow will publish the platform and date here once they are officially confirmed.
Primetime 2026 Overview
Primetime
Title: Primetime
Directed by: Lance Oppenheim
Written by: Ajon Singh
Produced by: Robert Pattinson, Ari Aster, Fred Berger, Brian Kavanaugh-Jones, Lars Knudsen, Brighton McCloskey, Tyler Campellone
Actor: Robert Pattinson, Skyler Gisondo, Bokeem Woodbine, Matthew Maher
Actress: Merritt Wever, Phoebe Bridgers, Anna Faris, Jessica Hecht
Other Cast: Tony Revolori, Alex Winter, Creed Bratton, Sean Bridgers, Jeff Zucker
Music by: Ari Balouzian
Production Companies: A24, Range Media Partners, Square Peg, Icki Eneo Arlo
Release Date: September 25, 2026
Country: United States
Language: English
Film Industry: Hollywood
Genre: Drama, Psychological, Crime, Thriller
Censor Rating: R
About The Film
It is 2006, and Chris Hansen is the host of To Catch a Predator, a television series that stages confrontations with adults who arrange to meet people they believe are minors. Hansen sees the show as more than a hit segment.
He wants it to become a major television event, and he is determined to take it to the biggest stage the network has. As the show grows in popularity, so do the pressures behind the scenes. Hansen, his crew, and the network executives find themselves balancing the goal of exposing wrongdoing against the demand for ratings, and the line between serious investigation and spectacle starts to blur.
Along the way, the film follows Hansen’s ambition and how it affects his work, his relationships, and the people around him. Told in a tense, darkly comic tone, the film is a period drama about the early days of reality television and the choices made in pursuit of a bigger audience.
Rebecca Vaiphei is a box office reporter and film analyst at Tenvow.com. She covers theatrical collections across India and the United States day wise figures, weekend holds, and longer run tracking with a focus on clear, data led reporting for readers following how a film performs in each market.
