The Death of Robin Hood is an American thriller movie, released in theaters across the United States on June 19, 2026, starring Hugh Jackman as Robin Hood, with Jodie Comer, Bill Skarsgård, and a strong supporting cast. Written and directed by Michael Sarnoski, the film offers a dark, gritty, and grounded reimagining of the legend based on the 17th-century ballad “Robin Hood’s Death.”

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Grappling with a lifetime of crime, violence, and moral compromise, an aging and critically injured Robin Hood must confront the ghosts of his past after what he believed would be his final battle. Stripped of romantic myth, this is a raw story of regret, redemption, and the heavy cost of living outside the law, set against a harsh, unforgiving landscape.

As it opens in US theaters on June 19, 2026 via A24, The Death of Robin Hood arrives with significant anticipation as a prestige adult thriller anchored by Hugh Jackman’s intense, career-highlight performance. Early reviews have been mixed but respectful, with praise for Jackman’s weary, haunted portrayal, the film’s stark 35mm visuals, and its willingness to deconstruct a beloved legend into something bleaker and more psychologically complex.

Sarnoski, coming off the intimate drama of Pig, brings a similar focus on character and atmosphere to this larger-scale story. In the US market, it is positioned as counterprogramming — a serious, R-rated drama for audiences seeking something more mature than summer blockbusters.

Its success will depend on strong word-of-mouth from Jackman fans and those drawn to thoughtful genre revisions, solid opening numbers driven by star power, and the potential to hold or expand in subsequent weeks. Internationally, A24’s involvement and the universal appeal of the Robin Hood myth should help it travel, though its dark tone may resonate most strongly with adult audiences.

The Death of Robin Hood 2026 Overview

Aspect	Details
Title	The Death of Robin Hood
Directed by	Michael Sarnoski
Written by	Michael Sarnoski
Produced by	Aaron Ryder, Andrew Swett, Alexander Black, Hugh Jackman
Actor	Hugh Jackman
Actress	Jodie Comer
Other Cast	Bill Skarsgård, Murray Bartlett, Noah Jupe, Faith Delaney
Cinematography	Pat Scola
Edited by	Andrew Mondshein
Music by	Jim Ghedi
Production Companies	Lyrical Media, RPC
Distributed by	A24
Release Date	June 19, 2026
Running Time	122–123 minutes (approx. 2 hr 3 min)
Country	United States
Language	English
Film Industry	Hollywood
Genre	Thriller, Drama, Adventure
Censor Rating	R

The Death of Robin Hood Day Wise Box Office Collection

Day	Date	US Collection Gross (Millions)	Fluctuation (%+/-)
Day 1	June 19, 2026	TBU (Theatrical opening weekend tracking)	(Opening Day)
Day 2	June 20, 2026	TBU	TBU
Day 3	June 21, 2026	TBU	TBU
Total US Gross	–	TBU (Expected solid opening for adult drama with potential hold)	–
Total Worldwide Gross	–	TBU (US theatrical + international expansion potential)	–

Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.

The Death of Robin Hood is a Hit or Flop

To be updated

What is the budget of The Death of Robin Hood

Our Review

Michael Sarnoski’s The Death of Robin Hood is a deliberate, somber, and often brutal deconstruction of one of England’s most enduring legends. Rather than another swashbuckling adventure filled with heroic archery and merry men, this is a story about the end of the myth — the physical and moral exhaustion of a man who has spent his life outside the law and must now face what that life has cost him.

It is not an easy watch, but it is a compelling one, anchored by a raw and vulnerable performance from Hugh Jackman that reminds us why he remains one of our most compelling leading men. The film opens with Robin Hood already broken. Gravely injured after what he thought would be his last stand, he is forced into hiding and reflection. Jackman plays him not as the charismatic outlaw of folklore but as a haunted, guilt-ridden man whose body and spirit are failing.

The performance is physical and internal at once — you feel every ache and every regret. Sarnoski and Jackman strip away the romance of the legend to reveal something far more tragic: a man who has killed, stolen, and justified it all in the name of justice, only to realize that the line between hero and monster has long since blurred. Jodie Comer brings quiet strength and moral complexity as a key figure in Robin’s final chapter, while Bill Skarsgård and the supporting cast add layers of threat, loyalty, and consequence.

The film’s tone is consistently grim and grounded. There are moments of brutal violence, but they feel earned rather than gratuitous — consequences of a life lived violently rather than action set pieces. Sarnoski’s direction emphasizes atmosphere and character over spectacle. The landscape feels harsh and isolating, mirroring Robin’s internal state. The 35mm cinematography gives everything a textured, almost tactile quality that enhances the sense of a story rooted in blood and earth rather than legend.

Thematically, The Death of Robin Hood is most interested in accountability and the limits of redemption. It asks what happens when the outlaw grows old and the causes he fought for no longer justify the body count. There is no easy heroism here, no triumphant final stand. Instead, there is exhaustion, reckoning, and the quiet horror of realizing that some wounds — personal and moral — do not heal.

The film is not without moments of dark humor or human connection, but its dominant mood is one of melancholy and fatalism. This is Robin Hood as a tragedy, not a triumph. From a box office and audience perspective, the June 19 theatrical release is well-timed for an adult-oriented drama. It offers something different from the usual summer fare — a serious, star-driven story for viewers who want substance alongside their entertainment.

Jackman’s name should deliver a solid opening weekend, particularly among his fans and those curious about this revisionist take. Word-of-mouth will be key; audiences who respond to the film’s bleak honesty and Jackman’s performance may champion it, while those expecting traditional Robin Hood adventure may find it too dour. A24’s track record with adult dramas suggests it has the marketing and platform to give the film a fair shot at finding its audience over several weeks.

The Death of Robin Hood is a bold, uncompromising, and ultimately moving portrait of a legend stripped to its bones. It may not satisfy everyone looking for escapism, but for those willing to sit with its darkness and Jackman’s powerful central performance, it offers a haunting meditation on violence, regret, and what remains when the myth finally dies.

Sarnoski has made a film that respects the legend enough to question it deeply. In a summer full of spectacle, this is the kind of grown-up, actor-driven drama that reminds us why we still go to the movies for stories about flawed human beings rather than flawless heroes.

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Top 10 Opening Day Movies of Hugh Jackman

X-Men: The Last Stand — $45.10M
Logan — $33.06M
X-Men Origins: Wolverine — $34.81M
X-Men: Days of Future Past — $36.26M
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Real Steel — $8.50M
Van Helsing — $19.60M
The Greatest Showman — $3.50M
Reminiscence — $2.00M

Disclaimer:

Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
These figures should be considered preliminary and indicative, not official confirmations.
Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
All financial figures are stated in United States dollars (USD) and represented in millions, unless specified otherwise.
All dates and times mentioned follow Eastern Standard Time (EST) (UTC-5)

Reference:

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