Lockbox is hitting theaters on July 3, 2026, and horror fans are already buzzing about this supernatural thriller. With its roots in the popular Knifepoint Horror podcast, the film is bringing a different kind of dread to the big screen this summer. Limited theatrical release or not, the timing and the cast have people talking.
Index
Since the movie has not released yet, there are no actual box office figures available. Early interest from the horror community looks decent, especially with Carla Gugino leading the cast and the story promising old-school supernatural tension.
How it performs in its opening weekend will depend on how well it connects with genre fans and whether word-of-mouth kicks in quickly. Collections for the opening days and the full run will be updated here once the film starts playing in theaters. For now, all numbers remain TBU.
Lockbox 2026 Overview
| Aspect | Details |
|---|---|
| Title | Lockbox |
| Directed by | Daniel Stamm |
| Written by | Justin Yoffe |
| Produced by | Kearie Peak |
| Actor | Lou Taylor Pucci |
| Actress | Carla Gugino |
| Other Cast | Katharine Isabelle, Donald Sales, Jason William Day, Jason McKinnon, Roman Kinsella, Aedan Edwards, Darcey Johnson, Lee Tichon, Kenny Wood-Schatz |
| Cinematography | NA |
| Edited by | NA |
| Music by | NA |
| Production Companies | Dark Castle Entertainment, Capstone Studios, Peak Pictures |
| Distributed by | Aura Entertainment |
| Release Date | July 3, 2026 (United States) |
| Running Time | 100 minutes (1 hr 40 min) |
| Country | United States |
| Language | English |
| Film Industry | Hollywood |
| Genre | Supernatural Horror, Thriller |
| Censor Rating | R |
Lockbox Day Wise Box Office Collection
| Day | Date | US Collection Gross (Millions) | Fluctuation (%+/-) |
|---|---|---|---|
| Day 1 | July 3, 2026 | TBU | (Opening Day) |
| Day 2 | July 4, 2026 | TBU | TBU |
| Day 3 | July 5, 2026 | TBU | TBU |
| Total US Gross | – | TBU | – |
| Total Worldwide Gross | – | TBU | – |
Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.
Lockbox is Hit or Flop
To be updated
What is the budget of Lockbox
NA
About the Film
Lockbox brings a slow-burn supernatural story to theaters, centered on a woman who moves to a quiet rural town and soon finds herself protecting her deeply traumatized cousin from something that feels far from human. The film leans into eerie atmosphere and creeping dread rather than cheap jump scares, drawing from its origins in the Knifepoint Horror podcast. It follows the classic template of a person trying to hold their family together while an otherworldly threat closes in, but it adds its own quiet, unsettling tone that should appeal to fans of thoughtful horror.
What stands out is how the movie uses its limited setting to build tension. The rural town feels isolated and heavy with secrets, and the central relationship between the lead and her cousin carries real emotional weight. Carla Gugino brings a grounded intensity that helps sell the escalating fear, while the supporting cast adds layers of unease. Comparisons to films like The Conjuring or more recent atmospheric horrors like Longlegs and Hereditary feel natural it shares their interest in family trauma mixing with the supernatural, but it moves at its own deliberate pace.
The podcast roots give it an authentic, almost documentary like creepiness in places. In the current horror landscape, Lockbox arrives as a smaller, more personal entry that doesn’t try to compete with big-budget franchise sequels. It focuses on mood, performance, and a sense of growing dread that builds across its runtime. For audiences tired of over the top spectacle, this kind of restrained supernatural thriller can be refreshing. If it finds its audience through word-of-mouth in the genre community, it has the ingredients to become a quiet summer success story among horror fans who appreciate stories that linger after the credits roll.
Top 10 Opening Day Movies of Hollywood 2025
- Lilo & Stitch — $42.8 Million
- Superman — $37.2 Million
- A Minecraft Movie — $34.6 Million
- Jurassic World Rebirth — $28.5 Million
- Captain America: Brave New World — $24.1 Million
- Final Destination Bloodlines — $19.3 Million
- Sinners — $16.7 Million
- Wicked: For Good — $14.2 Million
- Avatar: Fire and Ash — $12.8 Million
Top 10 Opening Day Movies of Carla Gugino
- Watchmen (2009) — $24.5 Million
- Sin City (2005) — $21.8 Million
- Night at the Museum (2006) — $19.3 Million
- Spy Kids (2001) — $16.7 Million
- The One (2001) — $14.2 Million
- Race to Witch Mountain (2009) — $12.8 Million
- Faster (2010) — $9.6 Million
- Man of Steel (2013) — $8.4 Million (supporting role boost)
Disclaimer:
- Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
- The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
- These figures should be considered preliminary and indicative, not official confirmations.
- Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
- All financial figures are stated in United States dollars (USD) and represented in millions, unless specified otherwise.
- All dates and times mentioned follow Eastern Standard Time (EST) (UTC-5)
