Danob Movie Worldwide Collection, Budget & OTT | Hit/Flop: Danob is a Bengali movie, released on 12 December 2025, starring Piyar Khan and Rupsha Mukhopadhyay in lead roles along with veteran actors Kharaj Mukherjee and Laboni Sarkar. The film is a crime-drama thriller with intense themes around power, love and moral collapse, drawing attention from Bengali audiences due to its cast and gripping promotional material. Official box office figures will be updated once the film begins screening nationwide.
Table of Contents
Here we have provided complete day wise box office collection of the movie, budget, OTT release details, verdict whether it will be hit or flop, theatre occupancy and live updates.
Danob 2025 Overview

| Detail | Information |
|---|---|
| Title | Danob |
| Directed by | Atiul Islam |
| Written by | Anubhab Ghosh |
| Produced by | Mohona Films |
| Actor | Piyar Khan |
| Actress | Rupsha Mukhopadhyay |
| Other Cast | Kharaj Mukherjee, Anindita Som, Shreya Halder, Hiya Roy, Koushik Banerjee, Anindya Pulak Banerjee |
| Cinematography | Rafiqul Islam |
| Edited by | Pabitra Jana |
| Music by | Samidh Mukherjee, Debojyoti Kar |
| Production Companies | Mohona Films |
| Distributed by | Not available |
| Release Date | 12 December 2025 |
| Running Time | 1h 51m |
| Country | India |
| Language | Bengali |
| Film Industry | Bengali Cinema |
| Genre | Crime, Drama, Thriller |
| Censor Rating | A |
Danob Box Office Collection
| Day | Date | India Gross (crore) | Fluctuation (%+/-) |
|---|---|---|---|
| Day 1 | Dec 12, 2025 | ₹0.01 | (Opening Day) |
| Day 2 | Dec 13, 2025 | ₹0.005 | -50% |
| Day 3 | Dec 13, 2025 | ₹0.006 | +20% |
| Day 4 | Dec 15, 2025 | ₹0.003 | -50% |
| Day 5 | Dec 16, 2025 | ₹0.002 | -33.33% |
| Lifetime India Net | – | ₹0.026 crore (est.) | – |
| Lifetime India Gross | – | ₹0.03 crore (est.) | – |
| Lifetime Worldwide Gross | – | ₹0.03 crore (est.) |
Danob is a Hit or Flop
Flop
What is the budget of Danob
The budget of the film is ₹4 crore.
Danob Ott release date
- OTT Platform: Not announced
- OTT date: Not announced
Review
Danob, directed by Atiul Islam, is a Bengali crime drama thriller that delves into the dark transformation of an ordinary man pushed to the brink by injustice and societal rage. Starring Anindya Pulak Banerjee as Shiva, a reserved mortuary worker, alongside Koushik Banerjee, Shreya Halder, Piyar Khan, Rupsha Mukhopadhyay, Kharaj Mukherjee, Anindita Som, and Hiya Roy, the film unfolds on a stormy night when Shiva discovers his girlfriend Uma’s body. Grieving silently, he soon faces false accusations of a heinous crime, leading to a tense interrogation and village backlash.
The narrative explores themes of innocence lost, moral ambiguity, and the thin line between victim and villain, blending suspenseful elements with emotional depth. Islam’s direction emphasizes atmospheric tension, with cinematography capturing rain-soaked nights and claustrophobic interrogations, while the score heightens the psychological unease, drawing from Bengali cinema’s tradition of introspective thrillers like Chander Pahar or Aparajito, but grounding it in contemporary issues of mob justice and false blame.
In execution, Danob shines through its strong performances, particularly Banerjee’s nuanced portrayal of Shiva’s quiet despair turning to quiet fury, evoking the restrained intensity seen in actors like Soumitra Chatterjee in classics or more recent turns in films like Baishe Srabon. Shreya Halder adds poignant layers to Uma’s memory, while supporting roles like Piyar Khan’s officer bring procedural grit, creating a web of intrigue that keeps viewers engaged.
However, the pacing occasionally lags in the buildup, with some subplots feeling underdeveloped, a common pitfall in thrillers like Nirbhoya or Dwitiyo Purush that balance mystery with character studies. Critically, early audience feedback praises the shocking twists and thematic relevance, with ratings around 6/10 highlighting its gripping climax and social commentary, though some note clichéd elements in the village dynamics.
Compared to pan-Indian successes like Drishyam or Andhadhun, which masterfully twisted expectations, Danob remains rooted in regional storytelling, appealing to fans of psychological depth over high-octane action, and stands as a solid debut-like effort in Tollywood’s genre exploration.
Box office-wise, Danob opens modestly, reflecting its niche appeal in Bengali circuits amid competition from larger releases, with collections mirroring small-scale thrillers that rely on word-of-mouth rather than star power. Without a confirmed budget, assuming a modest production typical for such films, the low initial figures suggest challenges in wider traction, unlike breakout hits like Bhooter Bhabishyat (₹10 crore) or Chander Pahar that blended genres with mass draw.
Social media discussions focus on the emotional impact and directorial promise, but sparse buzz indicates a limited run, potentially under ₹1 crore lifetime if reviews don’t propel it further. Future predictions point to a quiet OTT pivot for broader reach among thriller enthusiasts, cementing its place as an underrated gem in 2025’s Tollywood offerings, where stories of personal vendettas continue to captivate despite commercial hurdles. For viewers seeking tense, character-driven narratives or Bengali cinema buffs, it’s a compelling watch that lingers through its exploration of human darkness.
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Frequently Asked Questions
When it’s releasing in theatres?
The film released theatrically on 12 December 2025
Who are the lead actors?
The film lead stars Piyar Khan and Rupsha Mukhopadhyay.
Who is the director?
The film directed by Atiul Islam.
What is the plot?
A crime thriller involving mystery and drama in Bengali setting.
Disclaimer:
The box office figures shared in this article are independently compiled and estimated through our in‑house tracking system, which analyses theatre occupancy trends, distributor inputs, and regional trade signals. These numbers reflect the most accurate industry insights available at the time of publishing. While minor variances may occur compared to final official tallies, the data presented here is considered a reliable representation of the film’s commercial performance.
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