The Furious is a high-octane Hong Kong action film directed by Kenji Tanigaki and starring Xie Miao as a determined father and Joe Taslim as a journalist who becomes his unlikely ally. The film also features Yang Enyou, Jeeja Yanin, Brian Le, Joey Iwanaga, and Yayan Ruhian in key roles.
Index
It receives a US theatrical release on June 12, 2026, through Lionsgate. The story follows an ordinary tradesman whose young daughter is kidnapped. Forced into a brutal fight against a powerful criminal empire, he teams up with a journalist to rescue her. With relentless martial arts action, emotional stakes, and a pan-Asian cast, The Furious delivers classic revenge-thriller energy with modern fight choreography.
For American audiences, the film offers the kind of grounded yet spectacular action that has made Asian cinema a major draw in US theaters in recent years. Early footage and festival screenings have highlighted Tanigaki’s signature stunt work and the strong central performances from Xie Miao and Joe Taslim.
On the box office side, The Furious enters the US market as a mid-budget action title with clear appeal to fans of martial arts cinema and international thrillers. Its June 12 release positions it against other major titles, but strong word-of-mouth among genre fans and positive critical reception could help it carve out a solid run. Full tracking begins with its theatrical debut.
The Furious 2026 Overview
| Aspect | Details |
|---|---|
| Title | The Furious |
| Directed by | Kenji Tanigaki |
| Written by | Mak Tin-shu, Lei Zhilong, Shum Kwan-sin, Frank Hui |
| Produced by | Bill Kong, Frank Hui, Shan Tam |
| Actors | Xie Miao, Joe Taslim |
| Actress | Yang Enyou, Jeeja Yanin |
| Other Cast | Brian Le, Joey Iwanaga, Yayan Ruhian, and others |
| Cinematography | Meteor Cheung |
| Edited by | Chris Tonick |
| Music by | Elliot Leung, Olivia Xiaolin, Flying Lotus |
| Production Companies | Edko Films, Zhejiang Hengdian Film, XYZ Films |
| Distributed by | Lionsgate (US), Edko Films |
| Release Date | June 12, 2026 (US) |
| Running Time | 113 minutes |
| Country | Hong Kong |
| Language | English, Mandarin, Tagalog |
| Film Industry | Hong Kong Cinema |
| Genre | Action, Adventure, Martial Arts |
| Censor Rating | R |
The Furious Day Wise Box Office Collection
| Day | Date | US Collection Gross (Millions) | Fluctuation (%+/-) |
|---|---|---|---|
| Day 1 | Friday, June 12, 2026 | TBU | (Opening Day) |
| Day 2 | Saturday, June 13, 2026 | TBU | TBU |
| Day 3 | Sunday, June 14, 2026 | TBU | TBU |
| Total US Gross | – | TBU | – |
| Total Worldwide Gross | – | TBU | – |
Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.
The Furious is a Hit or Flop
To be updated
What is the budget of The Furious
The production budget is estimated at around $20 million.
Our Review
The Furious represents a welcome return to the kind of muscular, emotionally grounded Asian action cinema that has found a devoted following in the United States. Director Kenji Tanigaki, a veteran stunt coordinator and action director, brings a clear understanding of how to stage brutal, inventive fight sequences while never losing sight of the human story at the center. The result is a film that delivers the visceral thrills fans expect while giving its leads room to breathe.
Xie Miao anchors the film with a powerful, largely wordless performance as a father pushed to his absolute limits. His portrayal of quiet rage and relentless determination gives the action real emotional weight. Joe Taslim brings his signature intensity and screen presence as the journalist who becomes entangled in the rescue mission, providing both comic relief and genuine partnership. Their odd-couple dynamic helps balance the film’s darker moments and keeps the pacing lively across its nearly two-hour runtime. The action itself is the main attraction.
Tanigaki stages fights that feel chaotic yet coherent, with creative use of environment and weapons that keep every sequence fresh. There is a grounded quality to the violence that makes the stakes feel immediate and dangerous, rather than cartoonish. Special appearances by martial arts veterans like Jeeja Yanin and Yayan Ruhian add extra firepower and fan-service moments that action enthusiasts will appreciate. What sets The Furious apart from many recent revenge thrillers is its focus on family and protection rather than pure vengeance.
The kidnapping of the young daughter gives the story a clear emotional throughline that makes the protagonist’s journey more compelling than a simple rampage. The film never loses sight of why this ordinary man is willing to take on an entire criminal organization, and that focus helps elevate it above pure spectacle. For American audiences, The Furious arrives at a time when interest in international action cinema remains strong.
It offers the kind of polished, high-impact fight choreography that has made films like The Raid and the John Wick series popular, while bringing its own distinct flavor through its pan-Asian cast and Hong Kong production roots. The mix of English, Mandarin, and Tagalog dialogue adds authenticity and reflects the global nature of the story’s criminal underworld. Early reactions have praised the film’s relentless energy and strong central performances, while noting that it delivers exactly what it promises: a furious, no-holds-barred action ride with heart.
In a summer packed with big franchises, The Furious stands out as a confident, crowd-pleasing genre entry that should satisfy fans looking for something fresh and exciting. Looking ahead, the film has the potential to become a sleeper success in the US market. With strong reviews and positive word-of-mouth among action fans, it could build a healthy run and further cement the growing appetite for high-quality international martial arts cinema on American screens. For anyone who enjoys well-choreographed fights paired with genuine emotional stakes, The Furious looks like one of the more exciting releases of the early summer.
Disclaimer:
- Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
- The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
- These figures should be considered preliminary and indicative, not official confirmations.
- Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
- All financial figures are stated in United States dollars (USD) and represented in millions, unless specified otherwise.
- All dates and times mentioned follow Eastern Standard Time (EST) (UTC-5)
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