Humans in the Loop is this cool indie Hindi film that dives into how AI intersects with real life, especially for an Adivasi woman in Jharkhand who’s training AI while dealing with her own family stuff. In this article we provide complete details of its box office collection, the budget, whether it’s a hit or flop, and when it’s coming to OTT.
Humans in the Loop 2025 Overview
| Detail | Information |
|---|---|
| Title | Humans in the Loop |
| Directed by | Aranya Sahay |
| Written by | Aranya Sahay |
| Produced by | Mathivanan Rajendran, Shilpa Kumar, Sarabhi Ravichandran |
| Actor | Anurag Lugun (supporting lead) |
| Actress | Sonal Madhushankar (main lead as Nehma) |
| Other Cast | Ridhima Singh (as Dhaanu), Geeta Guha, Vikas Gupta, Prayrak Mehta |
| Cinematography | Harshit Saini, Monica Tiwari |
| Edited by | Swaroop Reghu, Aranya Sahay |
| Music by | Kalhan Raina (sound design, no specific composer listed) |
| Production Companies | Storiculture, Museum of Imagined Futures, SAUV Films |
| Distributed by | PVR Pictures (limited release) |
| Release Date | 5 September 2025 |
| Running Time | 1h 14m |
| Country | India |
| Language | Hindi |
| Genre | Drama |
| Censor Rating | U |
Daily Box Office Collection
| Day | Date | India Gross (₹ crore) | Fluctuation (%+/-) |
|---|---|---|---|
| Day 1 | September 5, 2025 | 0.07 | (Opening Day) |
| Day 2 | September 6, 2025 | 0.00 | -100% |
| Day 3 | September 7, 2025 | 0.00 | 0% |
| Day 4 | September 8, 2025 | 0.00 | 0% |
| Day 5 | September 9, 2025 | 0.00 | 0% |
| Day 6 | September 10, 2025 | 0.00 | 0% |
| Day 7 | September 11, 2025 | 0.00 | 0% |
| Day 8 | September 12, 2025 | 0.00 | 0% |
| Day 9 | September 13, 2025 | N/A | N/A |
| Lifetime India Net | – | 0.07 crore | – |
| Lifetime India Gross | – | 0.07 crore | – |
| Lifetime Worldwide Gross | – | 0.07 crore | – |
Humans in the Loop is a Hit or Flop
Verdict: Flop
What is the budget of Humans in the Loop
₹2 crore.
Humans in the Loop Ott release date
- OTT Platform: Netflix
- OTT Date: TBA
Our Review of Humans in the Loop
This film hit me hard it’s like a quiet poem about AI and real human struggles. Nehma, this strong Adivasi mom, comes back to her village after a divorce and starts labelling data for AI, basically teaching machines to see the world. But while she’s doing that, she’s also trying to connect with her kid who’s all moody about village life. It’s not your typical Bollywood drama; it’s slow and thoughtful, showing how tech can have biases just like people, especially against folks from tribes. Aranya Sahay nails the vibe with beautiful shots of Jharkhand, making you feel the clash between nature and screens. Totally worth watching if you’re into deep stories.
What Worked
- Sonal Madhushankar’s acting – she’s so real as Nehma, you feel her every emotion.
- The cinematography – those earthy visuals and tight frames make the AI stuff feel personal.
- The themes – it smartly mixes AI bias with family and cultural roots without being preachy.
What Didn’t Work
- It’s a bit slow paced, might feel draggy if you’re not into indie vibes.
- Some parts are predictable, like the mom kid bonding.
- No big twists or action, so it won’t appeal to mass audiences.
Frequently Asked Questions
It’s about an Adivasi woman in Jharkhand who works as a data labeller for AI while rebuilding her life post divorce, exploring tech biases and family bonds.
Aranya Sahay, it’s her debut feature film.
It’s inspired by real AI data centres in rural India and articles on AI bias, but the story is fictional.
Mainly Hindi with some Kurukh (Adivasi language) dialogues.
Mostly in Jharkhand, capturing real tribal villages and landscapes.
It won Best Film at IFFLA 2025, FIPRESCI Award at Bengaluru Film Festival, and more festival nods.
Disclaimer:
The box office figures shared in this article are independently compiled and estimated through our in‑house tracking system, which analyses theatre occupancy trends, distributor inputs, and regional trade signals. These numbers reflect the most accurate industry insights available at the time of publishing. While minor variances may occur compared to final official tallies, the data presented here is considered a reliable representation of the film’s commercial performance.
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