Oh man, “Nari Nari Naduma Murari” is one of those films that sneaks up on you with its charm, even if it doesn’t reinvent the wheel. Directed by Ram Abbaraju, this Telugu rom-com stars Sharwanand in the lead, caught in a hilarious love triangle with Samyuktha Menon and Sakshi Vaidya. It’s a classic setup: a guy juggling two women, leading to all sorts of comedic mishaps and emotional tugs. But what makes it stand out is how it handles the chaos with a mix of heart and humor, especially during the Sankranti season when folks are looking for light, feel-good entertainment.
From the get-go, the movie dives into Sharwanand’s character, a regular dude whose life turns upside down when romance hits him from two directions. Sharwanand is in top form here—his comic timing is spot on, and he brings that boy-next-door vibe that makes you root for him even when he’s making boneheaded decisions. Samyuktha Menon plays the strong, independent type, adding some depth to her role with her expressive eyes and no-nonsense attitude. She’s not just eye candy; she holds her own in scenes where the emotional weight kicks in. Sakshi Vaidya, on the other hand, brings a playful energy that’s infectious, making the triangle feel balanced rather than lopsided. The supporting cast, including Naresh and Vennela Kishore, chips in with solid laughs—Kishore’s one-liners are gold, as always.
The first half is where the film really shines. It’s packed with witty dialogues, situational comedy, and those little moments that feel so relatable. Think awkward family gatherings, misunderstood texts, and spontaneous dance numbers that pop up just when you need a breather. The music by Hesham Abdul Wahab fits perfectly, with catchy tunes that stick in your head without overpowering the story. Cinematography captures the vibrant Telugu backdrop—bustling streets, colorful festivals, and cozy homes—giving it that grounded feel. Ram Abbaraju’s direction keeps things moving at a brisk pace, avoiding the drag that plagues many rom-coms.
But let’s be honest, the second half loses some steam. The plot gets a bit predictable, falling into familiar tropes like big misunderstandings and rushed resolutions. It’s like the writers had a great setup but struggled to wrap it up without clichés. The emotional beats are there, touching on themes of choice, commitment, and self-discovery, but they could’ve been explored deeper. Still, it’s not a deal-breaker—the laughs keep coming, and the chemistry between the leads saves the day.
What I appreciated most is how the film subtly critiques modern relationships. In a world of swipes and ghosting, it reminds us that love isn’t just about butterflies; it’s about navigating the mess together. Sharwanand’s character arc—from indecisive to decisive—feels earned, and the women aren’t reduced to prizes; they have agency and backstories that matter. It’s a step up from some mindless entertainers, offering a bit of substance amid the fun.
Visually, the movie is a treat. The production values are solid for its budget, with well-choreographed action bits thrown in for good measure—though it’s more comedy than high-octane thrills. The editing is tight in the funny scenes, but could be sharper in the dramatic ones. Overall, it’s a film that knows its audience: families looking for a laugh during the holidays, couples debating their own “what ifs,” or just anyone in the mood for escapist joy.
On the box office front, it’s off to a steady start with early estimates around ₹0.26 crore gross on day one, per Sacnilk. With Sankranti in full swing, it could pick up if positive talk spreads—think 20-30 crore lifetime if it holds against biggies like The Raja Saab. For a mid-budget flick (around ₹4 crore), that’s decent, especially with OTT deals likely covering costs.
In the end, “Nari Nari Naduma Murari” is a solid watch if you’re craving something light and breezy. It’s not groundbreaking, but it’s entertaining, with strong performances and enough heart to make you smile. If you’re heading to the theater this weekend, grab some popcorn—it’s worth the ticket for the laughs alone. Just don’t expect a masterpiece; it’s comfort food for the soul, Telugu-style.
Expanding on the performances, Sharwanand really carries the film on his shoulders. He’s got that effortless charisma that makes even the silliest scenes work. Remember his role in “Maharaj”? This feels like an extension, but with more comic flair. Samyuktha Menon, fresh from other hits, brings a grounded realism—she’s not afraid to show vulnerability, which adds layers to the romance. Sakshi Vaidya is the wildcard, her bubbly personality contrasting nicely with the more serious tones. The supporting actors, like Naresh as the wise elder, provide those classic family moments that Tollywood does so well.
The screenplay is where it excels in parts. The writers have fun with the triangle, throwing in misunderstandings that lead to slapstick gold. One scene involving a mix-up at a family event had me chuckling—it’s pure desi humor at its best. But yeah, the climax feels a bit rushed, like they wanted to tie everything up too neatly. Could’ve used a twist or two more to keep the surprise factor alive.
Music-wise, the songs are catchy but not memorable enough to hum days later. The background score, however, elevates the comedic timing perfectly. Visually, it’s colorful and vibrant, capturing the essence of Telugu culture without going overboard. The direction by Ram Abbaraju shows promise—he knows how to balance laughs with feels, though tightening the second half would’ve made it punchier.
Thematically, it’s got a nice message about choosing love wisely, critiquing indecision in relationships without getting preachy. In today’s fast-paced world, it’s a gentle reminder to communicate and commit. For Sankranti, it’s fitting—family-oriented, fun, and festive.
If I had nitpicks, it’s the occasional stereotype in character portrayals, but nothing that ruins the vibe. Overall, it’s a 3/5 for me: good entertainment value, solid acting, but room for more originality. Go watch it if you want a laugh; skip if you’re after something profound. Either way, it’s a welcome addition to the rom-com genre in Telugu cinema.
