Hell Trotter (original title: Heo Năm Móng) is a Vietnamese fantasy horror movie, released in limited US theaters on June 19, 2026, starring Võ Tấn Phát, Trần Ngọc Vàng, Huỳnh Thanh Thuỷ, and Ốc Thanh Vân. Directed by Lưu Thành Luân, the film (original title: Heo Năm Móng) draws from a mystical supernatural legend rooted in the Khmer community of Vietnam’s Mekong Delta.
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It follows a viral vlogger and an ethereal girl caught between worlds as they become entangled in a haunting mystery. The story explores themes of karma, rebirth, the consequences of misplaced faith, and how the sins of the past refuse to stay buried. Blending atmospheric horror with cultural folklore and modern elements, it offers a distinctly Vietnamese take on supernatural dread and moral reckoning.
As it expands to limited US and Canadian theaters on June 19, 2026, Hell Trotter arrives with proven momentum from its strong domestic performance in Vietnam, where it has already grossed over VND 124 billion. This makes it one of the more successful recent Vietnamese genre films to cross over internationally. In the US, it is positioned as a specialty horror release for fans of international and folk horror cinema.
Early interest from genre enthusiasts and Asian cinema audiences suggests it could post respectable per-screen numbers in select markets, particularly cities with strong Vietnamese and Southeast Asian communities or dedicated horror crowds. Success here will likely come through word-of-mouth, critical response to its cultural authenticity and atmosphere, and its appeal as counterprogramming or a unique alternative to mainstream Hollywood horror.
Internationally, its box office story in Vietnam already marks it as a notable win for Vietnamese cinema, and the US limited run could help build further awareness for future streaming or expanded distribution.
Hell Trotter 2026 Overview

| Aspect | Details |
|---|---|
| Title | Hell Trotter (Heo Năm Móng) |
| Directed by | Lưu Thành Luân |
| Written by | NA |
| Produced by | NA |
| Actor | Võ Tấn Phát |
| Actress | Huỳnh Thanh Thuỷ |
| Other Cast | Trần Ngọc Vàng, Ốc Thanh Vân, Nhật Ý, Uy Trần, Duy Khương, Huỳnh Kiến An |
| Cinematography | NA |
| Edited by | NA |
| Music by | NA |
| Production Companies | F35 Studio, 89s Group, Galaxy Studio |
| Distributed by | Mockingbird Pictures (US limited release) |
| Release Date | June 19, 2026 (limited US theatrical) |
| Running Time | 103 minutes (1 hr 43 min) |
| Country | Vietnam |
| Language | Vietnamese (with English subtitles in US release) |
| Film Industry | Vietnamese Cinema |
| Genre | Fantasy, Horror, Supernatural Drama |
| Censor Rating | NA |
Hell Trotter Day Wise Box Office Collection
| Day | Date | US Collection Gross (Millions) | Fluctuation (%+/-) |
|---|---|---|---|
| Day 1 | June 19, 2026 | TBU (Limited US theatrical opening) | (Opening Day) |
| Day 2 | June 20, 2026 | TBU | TBU |
| Day 3 | June 21, 2026 | TBU | TBU |
| Total US Gross | – | TBU (Niche performance expected; potential for steady hold in select markets) | – |
| Total Worldwide Gross | – | TBU (Strong Vietnam domestic gross already achieved; US limited + international expansion) | – |
Box office data published on this website is compiled through independent research and publicly available sources for informational purposes only. Figures are approximate and may differ significantly from official producer, distributor, or studio records. Data is subject to change and may be updated, revised, or corrected at any time without prior notice as more accurate information becomes available. Tenvow makes no representations or warranties regarding the accuracy, completeness, or reliability of any data presented at any given point in time. This data should not be used for commercial, financial, or legal decision-making. Tenvow is not liable for any loss or damage arising from reliance on this information.
Hell Trotter is a Hit or Flop
To be updated
What is the budget of Hell Trotter
NA
Our Review
Hell Trotter stands out as one of the more intriguing Vietnamese horror exports in recent years. Rather than relying on jump scares or generic supernatural tropes, it roots its terror in local legend and deeper cultural anxieties about faith, karma, and the consequences of ignoring the spiritual world. Director Lưu Thành Luân crafts a story that feels both timeless and timely — a viral vlogger representing modern disconnection from tradition collides with an ethereal presence tied to ancient Khmer folklore from the Mekong Delta.
The result is a haunting mystery that blends folk horror atmosphere with themes of rebirth and moral reckoning. The film follows a viral vlogger who becomes drawn into the orbit of a mysterious girl existing between worlds. Together they uncover layers of past sins that demand resolution through the cycles of karma. What makes this compelling is how the story uses the vlogger’s modern lens — someone who chases clicks and surface-level attention — as a contrast to the profound, often terrifying spiritual forces at play.
The horror feels personal and cultural rather than purely spectacle-driven. There is a sense of dread that builds from the weight of history and belief systems rather than cheap thrills. The Mekong Delta setting and Khmer community roots add authenticity and texture that many Western horror films lack when they attempt “exotic” supernatural stories. Visually, the film leans into atmospheric storytelling. The ethereal elements and the boundary between the living world and whatever lies beyond are handled with care, creating moments that linger.
The performances ground the supernatural in human emotion — grief, doubt, ambition, and the fear of facing what we have done or ignored. Supporting cast members bring depth to the community and family dynamics that surround the central mystery. While some viewers may find the pacing deliberate (typical of many Asian horror films that prioritize mood and cultural context over relentless action), the payoff rewards patience with a story that feels meaningful beyond its scares. Thematically, Hell Trotter serves as a cautionary tale wrapped in horror.
It questions what happens when people misplace their faith or dismiss traditional beliefs in favor of modern distractions. The cycle of karma and rebirth is not just background mythology; it drives the narrative and forces characters to confront uncomfortable truths. This gives the film more substance than many straight horror entries and positions it as something that can spark discussion long after the credits roll. For audiences familiar with Vietnamese or broader Southeast Asian folklore cinema, it will feel like a natural evolution of stories that blend the everyday with the otherworldly.
For newcomers, it offers an accessible yet culturally specific entry point into that tradition. From a US release perspective, the limited theatrical rollout on June 19 makes sense for a film like this. It is not a wide commercial horror vehicle but a specialty title that will find its audience through genre fans, Asian cinema enthusiasts, and those seeking something different from standard Hollywood horror. Its proven success in Vietnam (over VND 124 billion domestically) proves there is strong appetite for this kind of culturally grounded storytelling at home.
In the US, expect it to perform best in markets with significant Vietnamese or Southeast Asian populations and in theaters that regularly program international horror. Word-of-mouth among horror communities could help it hold or even expand slightly in its early weeks. Longer term, it has clear potential on streaming platforms where international horror often finds its biggest audiences outside its home country. Hell Trotter is a confident piece of Vietnamese genre filmmaking that respects its cultural roots while delivering a compelling supernatural mystery.
It may not be the loudest or most effects-heavy horror release of the summer, but it offers something rarer: atmosphere, cultural specificity, and a story that uses horror to explore real questions about belief, consequence, and the past refusing to let go. If you enjoy folk horror with depth, Asian supernatural cinema, or stories that blend modern life with ancient warnings, this is worth seeking out during its limited US run starting June 19. It is the kind of film that can quietly build a following and leave a lasting impression on those open to its particular brand of haunting.
Disclaimer:
- Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
- The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
- These figures should be considered preliminary and indicative, not official confirmations.
- Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
- All financial figures are stated in United States dollars (USD) and represented in millions, unless specified otherwise.
- All dates and times mentioned follow Eastern Standard Time (EST) (UTC-5)
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