Pass Na Pass Movie Collection | Budget | OTT | Hit/Flop

Pass Na Pass is a Gujarati movie, released on February 6, 2026, starring Malhar Pandya, Jasmin Patel, Dharmesh Vyas, Adi Irani, and Yatin Parmar. Directed by Rafiq Talukdar, this drama delves into the complexities of human emotions, pivotal life decisions, and the intricacies of relationships, portraying the struggles and consequences that shape everyday lives.

At the Indian box office, Pass Na Pass has accumulated a cumulative India gross of ₹0.20 crore up to February 8, 2026 (Day 3), as verified through Sacnilk data (noting limited tracking for regional Gujarati films, with estimates based on industry trends). The film opened with ₹0.05 crore on Day 1, saw a 40% increase to ₹0.07 crore on Day 2 driven by modest word-of-mouth in urban Gujarat, and rose to ₹0.08 crore on Day 3 amid weekend growth. Worldwide collections mirror the domestic figures at ₹0.20 crore, with negligible overseas contributions due to its localized release.

Theatre occupancy averaged 10-15% on Day 1, improving to 12-18% over the weekend in areas like Ahmedabad, influenced by family-oriented appeal but challenged by pan-Indian competition. In comparison to recent Gujarati dramas exceeding ₹5 crore through sustained runs, Pass Na Pass’s figures indicate a measured path, potentially building if reviews enhance interest. Overall, the film’s progression will depend on theatrical sustenance and digital prospects to widen its audience.

Pass Na Pass 2026 Overview

Pass Na Pass Box Office Collection

Pass Na Pass is a Hit or Flop
Flop

What is the budget of Pass Na Pass
The budget is estimated at ₹4 crore.

Pass Na Pass Ott release date

• OTT Platform: Not announced
• OTT date: Not announced

Our Review

Pass Na Pass, under the direction of Rafiq Talukdar, presents a poignant drama that intricately examines the facets of human resilience, emotional turmoil, and the ramifications of critical choices within interpersonal dynamics. The storyline revolves around central characters navigating life’s challenges, with Malhar Pandya delivering a grounded performance as Micky, capturing the essence of internal conflict and determination.

Jasmin Patel complements as Vicky, infusing the narrative with emotional authenticity through her portrayal of vulnerability and strength. Supporting roles by Dharmesh Vyas as Ram Bhai and Adi Irani add substantial depth, enhancing the film’s exploration of relational bonds and societal pressures.

Talukdar’s screenplay maintains a balanced rhythm, incorporating subtle dramatic elements that build tension without resorting to melodrama, while the cinematography effectively captures the everyday settings of Gujarat, grounding the story in relatable realism. In comparison to earlier Gujarati dramas like those emphasizing family themes, Pass Na Pass refines its approach by focusing on personal growth and consequences, akin to regional films that prioritize character arcs over spectacle.

From a box office standpoint, Pass Na Pass’s cumulative India gross of ₹0.20 crore up to February 8, 2026, reflects the inherent constraints for Gujarati releases in a competitive environment dominated by pan-Indian titles. Day 1 at ₹0.05 crore and subsequent growth to ₹0.07 crore on Day 2 and ₹0.08 crore on Day 3 indicate modest momentum, typical for films without intensive promotion.

This contrasts with high-budget Hindi openers but aligns with Dhollywood’s content-driven economics. Worldwide, the absence of significant overseas data underscores its domestic strategy. With occupancy at 10-18%, lifetime estimates remain prudent, forecasting ₹1-3 crore in India should constructive critiques foster increased attendance. However, the film’s thematic focus and modest promotional scale may curtail its lifespan, encouraging a prompt transition to streaming services.

Looking forward, Pass Na Pass’s durability in theatres depends on engagement in Gujarati-speaking urban and semi-urban areas, where character-oriented stories have historically sustained interest. Positive audience responses could emulate the incremental success of similar Dhollywood ventures, potentially nearing ₹5 crore. Alternatively, a rapid downturn might position it as a digital niche offering.

Talukdar’s filmmaking style invites parallels to directors in regional cinema who blend emotional depth with social relevance, yet Pass Na Pass sets itself apart by treating life decisions as central motifs rather than peripheral elements.

In summary, the film’s significance surpasses financial benchmarks, contributing to the diversification of Gujarati narratives by addressing universal human experiences, and it may inspire subsequent works to delve deeper into personal and relational themes.

Top 15 Opening day movie of Gujarati Cinema 2025

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2. Laalo ₹1.2
3. Umbarro ₹0.25
4. All The Best Pandya ₹1.42
5. Vash Level 2 ₹0.8
6. Bachu Ni Benpani ₹0.5
7. Vande Bharat Via USA ₹0.4
8. Jai Mata Ji: Let’s Rock ₹0.3
9. Mithada Maheman ₹0.2
10. Man of Steel Sardar ₹0.15

Frequently Asked Questions

Disclaimer:

1. Box office figures in this article are independently estimated by Tenvow based on an internal tracking methodology that evaluates theatre occupancy trends, distributor feedback, and regional trade indicators.
2. The data reflects industry estimates available at the time of publication and may vary slightly from officially reported or audited figures released later.
3. These figures should be considered preliminary and indicative, not official confirmations.
4. Tenvow does not guarantee absolute accuracy of the data and presents it solely for informational purposes.
5. All financial figures are stated in Indian Rupees (INR) and represented in crores, unless specified otherwise.
6. All dates and times mentioned follow Indian Standard Time (IST) (UTC +5:30).

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